All of my mastering work is done out of the main room at Deluxe Mastering. Deluxe is located here in downtown Brunswick, Melbourne, Australia.
Previously to working at Deluxe I did my apprenticeship and early work under François Tétaz at Moose Mastering. (I also created the sound design for the Moose Mastering web-site.)
I don’t post anything about rates or costs here. If you want to know more - go here to get in touch with me, preferably by phone.
For details on the equipment I use go here.
Below are some of the records that I’ve mastered:
- Midnight Juggernauts - Their 1st EP and a Live LP thingy.
I think that they are selling the live LP while on tour? I also tracked most of the vocals for those first EP’s. - Laura Jean - Eden Land.
- Spoonbill - Nestegg.
- Basic Shape - Boat Without A Sail.
- Dust - Songs.
I also mixed and provided additional production on this record. - KES - KESBAND, The Jellys In The Pot and EP’s.
KES is my brother. KES did a new record (KESBAND) with the ever talented James Cecil and I did masterizations to it. - OUTRUN - LP.
Electroclash in the classic/contemporary style. Strictly fluorescent. - Howling Mound - Howling Mound.
These guys live in some tin shed in someone elses backyard in some suburb in Melbourne. When they are not foraging for sustenance, they are making music with whatever is at hand. - Mr. Geoffrey and JD Franzke - Get A Room.
If you could record the sound of the dreaming intestinal cavities of Eric Satie, The Mystic Moods Orchestra and Pierre Henry while they ate a feast of veal schnitzel and pancakes, then I think it may sound something like this. - Anthea Caddy and Thembi Soddell - Iland.
Give 2 ladies a cello and a computer. One goes rock star on the cello and slowly chokes it to death. The other goes into the corner and pulls the laptop apart like legs off a spider. Press record, master that recording and release it.
